Claude Chabrol

June 24, 1930 at 10:00 PM
Paris, Île-de-France, France

Birthtime accuracy: excellent
a square Square
a hortizontal line with two lines meeting to form a 90 degree angle underneath it Quincunx
a cross with a line hortizontally running through the middle of them Sextile
two circles with a line connecting them Opposition
an equalilateral triangle Trine
Minor aspects

Description

image credit
Claude Chabrol by Thore Siebrands, is licensed under cc-by-3.0, resized from the original.
Claude Henri Jean Chabrol (French: [klod ʃabʁɔl]; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (nouvelle vague) group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine Cahiers du cinéma before beginning his career as a film maker. Chabrol's career began with Le Beau Serge (1958), inspired by Hitchcock's Shadow of a Doubt (1943). Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. This is especially apparent in Les Biches (1968), La Femme infidèle (1969), and Le Boucher (1970) – all featuring Stéphane Audran, who was his wife at the time. Sometimes characterized as a "mainstream" New Wave director, Chabrol remained prolific and popular throughout his half-century career. In 1978, he cast Isabelle Huppert as the lead in Violette Nozière. On the strength of that effort, the pair went on to others including the successful Madame Bovary (1991) and La Cérémonie (1996). Film critic John Russell Taylor has stated that "there are few directors whose films are more difficult to explain or evoke on paper, if only because so much of the overall effect turns on Chabrol's sheer hedonistic relish for the medium...Some of his films become almost private jokes, made to amuse himself." James Monaco has called Chabrol "the craftsman par excellence of the New Wave, and his variations upon a theme give us an understanding of the explicitness and precision of the language of the film that we don't get from the more varied experiments in genre of Truffaut or Godard."

birthtime credit:
Geslain / Accuracy: excellent


Planets

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Using Sidereal Planetary Positions
Because the birth time information is missing for this chart, the Moon may range up to 6° before or after this position.

Aspects

The aspects describe the geometric angles between the planets. Each shape they produce has a different meaning.

Chart Patterns

Chart patterns are a collection of aspects that are grouped together to reveal a larger geometric pattern within the chart.

Special Features of this Chart

The section describes some additional features of this chart. Note the inner planets refer to Sun to Jupiter, as well as the Ascendant and MC, and represent the core parts of the personality.

Houses

Chart houses split the chart into twelve realms, beginning from the ascendant, which add another dimension of themes corresponding to the signs starting from Aries.

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Declinations

Click here to show this chart's declinations. Declinations are a rarely used piece of information in astrology. They reflect a planet's distance north or south of the celestial equator. more info

Parallels occur when two planets are at the same declination, both in the north or south. They are considered to have the same effect as conjunctions. Contraparallels are when one star in the north and another in the south are at the same declination. They are considered to have the same effect as oppositions.