Elizeth Moreira Cardoso (sometimes listed as Elizete Cardoso) (Rio de Janeiro, July 16, 1920 – May 7, 1990), was a singer and actress of great renown in Brazil. Born in Rio de Janeiro, her father was a serenader who played guitar, and her mother was an amateur singer. Elizete began working at an early age and between 1930 and 1935 was a store clerk and hairdresser among other things. She was discovered by Jacob do Bandolim at her 16th birthday party, to which he was brought by her cousin Pedro, a popular figure among the musicians of the day. Jacó took her to Rádio Guanabara where, in spite of her father’s initial opposition, she appeared on the Programa Suburbano with Vicente Celestino, Araci de Almeida, Moreira da Silva, Noel Rosa and Marília Batista on August 18, 1936. The week after she was hired by the station to appear on a weekly program. Following this, she continued to perform on various shows with multiple radio stations. In the 1960s she had her own radio show. Due to her low pay, in 1939 she began to perform at clubs, movie theaters and other venues. She met with considerable success and her popularity increased significantly. In 1950, thanks to the support of Ataulfo Alves, she recorded Braços vazios (Acir Alves and Edgard G. Alves) and Mensageiro da saudade (Ataulfo Alves and José Batista), but the album was unsuccessful. Her next recording, also in 1950, met with popular approval. The album included Canção de amor (Chocolate and Elano de Paula), and the samba Complexo (Wilson Batista). The great success of Canção de amor led her, in 1951, to appear on the first television program in Rio de Janeiro on TV Tupi and helped launch her film career. She appeared in Coração materno, by Gilda de Abreu, and Watson Macedo’s É fogo na roupa. In 1958, Cardoso was invited by Vinicius de Moraes to be the singer of an album of songs written by himself and Tom Jobim. Canção do Amor Demais became the first album of bossa nova music, launching the new genre. The album was released on the Festa label. While Cardoso was not primarily considered a bossa nova singer, she is the vocalist on the original version of the bossa classic Manhã de Carnaval from the Orfeu Negro soundtrack. Elizete continued to sing and act with great success until her death. By the end of her life she had released well over 40 albums in Brazil, Portugal and other countries. During almost seven decades of artistic life, she interpreted many forms of music but her base was always samba, which she performed with great personality, and which earned her nicknames such as: A Noiva do Samba-Canção (the Bride of Samba), Lady do Samba, A Magnifica (the Magnificent One), and the one most connected with her name, A Divina (the Divine One). Cardoso died of cancer at the age of 69.
You can think of the planets as symbolizing core parts of the human personality, and the signs as different colors of consciousness through which they filter.* Sidereal Planetary Positions enabled in settings.* Because the birth time information is missing for this chart, the Moon may range up to 6° before or after this position.
The aspects describe the geometric angles between the planets. Each shape they produce has a different meaning.
Chart patterns are a collection of aspects that are grouped together to reveal a larger geometric pattern within the chart.
The section describes some additional features of this chart. Note the inner planets refer to Sun to Jupiter, as well as the Ascendant and MC, and represent the core parts of the personality.
Declinations are a rarely used piece of information in astrology. They reflect a planet's distance north or south of the celestial equator. Read more
Parallels occur when two planets are at the same declination, both in the north or south. They are considered to have the same effect as conjunctions. Contraparallels are when one star in the north and another in the south are at the same declination. They are considered to have the same effect as oppositions.
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